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羞羞影院

丹麦小村教堂
其它其它1947
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

羞羞影院

田教授家的二十八个亲威
大陆2009
早年丧夫的田母(余敏贞饰),历尽苦难,饱经沧桑,直至儿孙绕膝、四世同堂。 然而,众多亲戚隔三差五地登门造访,在田家平静的生活中激起片片涟漪。引发了一连串耐人寻味的悲喜故事。如姐妹之间的遗产之争、六舅偷车事件、表弟的乞丐帮、父子的婚外情、弟弟的离同居、奶奶寻亲的苦涩,女婿的捐肾风波等等。送走了房客之后,田教授(谢钢饰)家好生安静了一阵子,直到田教授目睹了一场车祸——肇事逃逸的男子正是自己连襟的弟弟张德新,而被撞的老人则是妻子堂弟刘天伟(黄渤饰)的老丈人。田教授毅然揭露车祸真相,从而被张德新记恨,最终被阴谋陷害剥夺了上课的权力,无奈之下只好退休。此时,田教授的母亲因思念曾经送人的女儿,整日以泪洗面,而田教授儿子思文(何建泽饰)的客户于娜,却以生意为借口,赤裸裸地向思文表白,搅得田家不得安宁,她正是田教授母亲的外孙女,误认为田家当初抛弃了自己的母亲,心生怨恨,这才决定向田家报复……几十个亲戚走马灯似的轮回转,而田家人迎来送往,经历了一番番风风雨雨,互相之间的感情更深了,对亲情的理解也更进了一步。  剧集以贴近生活为本,取悦观众为上的精神,超凡脱俗,魅力十足,通过一大家人的故事描绘了一出现代都市社会的清明上河图。

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